STRONG WOMEN STAND UP FOR EACH OTHER
What Ayn
Rand, the Russian-American author, wrote in her best-selling novel, ‘The
Fountainhead’, is often paraphrased into a clarion call for women’s
liberation as: “The question isn’t who’s going to let me; it’s who’s going
to stop me.” The moot point of the debate on gender justice though is that
often women hesitate to raise their voices against the patronizing male.
“ಕಿರಗೂರಿನ ಗಯ್ಯಾಳಿಗಳು” (‘Kiragoorina Gayyaligalu’, which translates to: ‘Vixens of Kiragooru’)
is a 2016 Kannada film based on a novel of the same name penned by Poornachandra Tejaswi. The
social drama was critically applauded for its refreshingly distinct portrayal
of women as not just strong, but also fierce about standing up for each other.
The plot
is set in the hamlet of Kiragooru, wherein its agrarian community lives in
harmony, the odd brawl or bicker among the residents notwithstanding. The village
has some feisty, bellicose ladies too. Then, there is shrewd, selfish Heggade
(Sharath Lohitashwa) and his slimy sidekick, Shankara (Achyuth Kumar), who hatch
a devious plot to divide the community on caste lines and grab the lands of gullible
farmers opportunistically.
One of
the farmers of the village is Kalegowda (Kishore), whose wife, Nagamma (Sonu
Gowda), is a quiet, soft-spoken lady. But, connubial felicity is missing in their
platonic relationship because Nagamma has not conceived even many years after
tying the nuptial knot― the main reason for the man’s estrangement.
So does
Nagamma regain connubial joy despite Kalegowda’s toxic masculinity? What about Heggade’s
chicanery laced efforts? How do the viragoes of the village influence the
outcomes of the sub-plots?
That is the
rest of the story-telling.
Director D. Sumana Kittur has directed the movie with verve and panache―
little wonder then that the film presents an immersive experience for
its viewer. Sumana has masterfully chosen her
cast and woven around them the events in Agni Sridhar’s screenplay. She’s also extracted
the best out of everyone…even as she stays clear of sexist, chauvinistic
objectification― a malaise that afflicts films pervasively― of the shrewish
women of Kiragooru.
The flick is a collage
too of many light-hearted moments; a rural canvas, rustic dialect and
dialogues delivered in a sing-song accent… all enhance the comic appeal. It is a
pity though that the expletives in the script, ones that village folk routinely
use, are muted. Sadhu Kokila’s music is apt. Camerawork of Manohar Joshi is
fine; and, Suresh Urs’ editing is topnotch too.
The ensemble cast
includes Kishore, Achyuth Kumar, Sharath Lohitashwa, Shwetha Srivastav,
Sukrutha Wagle, Sonu Gowda, Karunya Ram, Manasa Joshi, Ajay Rao, Girija Lokesh,
Prakash Belawadi and many more. Each one has pitched in EXCEPTIONALLY.
In summary, this flick is a
fantastic adaptation of a literary masterwork. The key takeaway for ladies from
the film: “Stay
strong; stay connected; and, stand up for each other!”
I rate this social drama: 7.5 on 10!
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