NATURE CHOOSES; MAN ABUSES

Taking a leaf out of Martin Luther King Jr.’s ‘I have a dream’ speech, the British actor and author, Juno Dawson said: “I dare to dream of a world where people can dress, speak and behave how they want, free from mockery, derision, judgment, harassment and danger.” Extremely touching and insightful words!

ನಾನು ಅವನಲ್ಲ....ಅವಳು (‘Naanu Avanalla...Avalu’, which transliterates to: “I’m not he...(I am) she”) is a 2015 Indian Kannada film based on a transgender, Living Smile Vidya's autobiographical work “I am Vidya”. The movie won scores of national and state awards; it premiered in international film festivals too.

The drama― it is a tribute to every oppressed, marginalized and under-privileged section of society― is about the everyday struggles of transsexuals. It showcases the life of a young boy, who cherishes his feminine traits and aspires to lead the life of a woman.

Madesha (Sanchari Vijay) is a tween living in a small town, who exhibits effeminate behavior. Bullied in school and often blasted at home, the confused kid is unable to come to terms with his sexual preference. He falls behind in his studies and moves to Bengaluru. But, homosexuality makes it tough for him to cope with a bigoted and discriminatory society.

In short, peace, tranquility and happiness elude Madesha, who confronts an existential crisis. He sheds the outer falsehood of his masculinity and embraces the inner truth of his genetic proclivity to become a transgender.

After getting his male gonads removed surgically in a shady, unhygienic clinic, Madesha gets rechristened as Vidya. The stigma though follows her; and, to survive, Vidya resorts to begging. However, she desists from getting into the flesh trade.

The rest of the flick traces the travails and troubles of Vidya, the transsexual. The narrative is about whether society, and, in particular, the family accepts the metamorphosed Madesha, or rather, Vidya.

Director BS Lingadevaru has given us some gut-wrenching, heartrending insights into the gloomy, appalling world of transsexuals and transvestites with this parallel cinema par excellence.

Lingadevaru’s script and screenplay has the look and feel of a documentary in some sequences though; it is slow too in picking up tempo. Fortunately, he does not overwhelm you with either a maudlin tale or mawkish dialogues. The clinical, no-frills story has soul and intent in the right place.

Music of Anoop Seelin is apposite. The cinematography and other technical elements are pedestrian― a consequence perhaps of a tight budget.

Sanchari Vijay is at his sublime best with a remarkably natural rendition that is rich in reality and awash with authenticity. The rest of the cast comprising of Sumithra, Kunal Punekar, Sundar, Aravind Kuplikar and others has also put in creditworthy performances.

The flick is an attempt to remind us, in Juno Dawson’s words: “…whoever you are, however you are; you are equally valid, equally justified, and equally beautiful”.

I rate this social drama: 7.5 on 10!

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