SOCIETY IN CHAINS, UNLESS WOMEN ARE EDUCATED AND LIBERATED

"A woman is like a tea bag; you never know how strong it is until it's in hot water," said the American diplomat and activist, Eleanor Roosevelt.

'ಹಸೀನ' (“Hasina”) is a 2004 award-winning Kannada film, which depicts the trials and tribulations of a Muslim lady deserted by her husband. The movie is based on a story by popular writer and social activist, Banu Mushtaq, who has brought into limelight the plight of abused and exploited Muslim women.

The plot revolves around the female protagonist, Hasina (Tara), who weds auto driver, Yakub (Chandrahas Ullal) against his mother's wishes. The couple has three daughters, the eldest of whom is visually impaired. Hasina conceives for the fourth time. To ascertain the fetal gender, the couple illegally gets an ultrasound test, which points to a fourth girl child. Yakub ill-treats Hasina and deserts her. Left with no choice, Hasina fends for herself; she turns to the learned maulvi at the local masjid for justice. 

Girish Kasaravalli, director par excellence, has showcased the turmoil and turbulence in the life of a tortured, tormented woman with customary brilliance. He packs quite a punch with emotionally super-charged content. The screenplay however is disruptive with its non-linear flashbacks and time jumps. The frequent back and forth, not to mention sluggish pace, depreciates the viewing experience.

Tara has put up a sterling, high-voltage show befitting her role. Supporting artistes too have put up equally creditable performances. The technical aspects of background score and cinematography too are top class.

The movie is an ode to every strong woman, who believes she can, and so, she does!

I rate the film: 7.5 on 10!