LOVE AND HATE: TWO SIDES OF THE SAME COIN
Scientists have discovered that love and hate, the most basal and polar opposites of emotions, are intimately and intricately linked within in the human brain. Some of the neural circuits physically triggered by love are also responsible for hate. A fascinating fact to explore on the silver screen!
The 1975 award-winning, critically-acclaimed and chart-busting Kannada film, "ಶುಭಮಂಗಳ" (“śubhamaṅgaḷa” meaning, “good fortune”) is a “romantic comedy” that puts you on cloud nine! It is based on the simple and splendid story penned by the renowned novelist, Vani.
Hema (Aarathi), a pampered, daddy's girl, has a small-town innocence and vivacity about her. Timma and Mooga are domestic helps and sidekicks, who keep Hema good-humored all the time. Prabhakara (Srinath) returns to the town after many years and bumps into Hema. Prabhakara's affection and attraction for Hema begin to take the undertones of a fairy-tale romance. Hema's father though nips in the bud the blossoming relationship because of a past feud with Prabhakara's family.
High on self-esteem, Hema gets onto a “love-hate” association with Prabhakara. Cool, iced-tea like on the outside, she is soft, hot-chocolate like on the inside with the latter. Despite Hema's on and off “tranquil-tempestuous” demeanor, Prabhakara is tender and caring towards her. Nevertheless, if hell hath no fury like a woman scorned; then, heaven hath no fairy like a woman loved, right?
Puttanna Kanagal is masterful, as always, in his direction; his brilliance radiates onscreen and presents an enchanting visual experience. The screenplay could have been a touch easier on the melodrama. The chemistry of the lead pair of Aarthi and Srinath is palpably sizzling. Humorist BeeChi (pen name of Rayasam Bheemasena Rao)– popularly known as Karnataka's George Bernard Shaw– and Yoganarasimha are outstanding with the script and dialogues. Veteran NG Rao's cinematography is impeccable; so too, Vijay Bhaskar's intoxicating music.
On the whole. the movie though is about 15-20 minutes too long. Better editing and tighter screenplay would surely have enhanced the euphoric effect of this evergreen classic.
My rating: a well-deserved 8.0 on 10!

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